Home from IRA

BULLETIN: Poets, forgive me for being slow to post the May Word of the Month! Blame it on IRA. I’ll remove April’s poems and comments this morning. In the meantime, you can start thinking about your new poems. The word is WINDOW.

Hi everyone,

I’m back at my computer this morning, trying to decide how and where to begin playing catch up. IRA was a whirlwind and I loved it. Sunday at 5:30 I met Janet Wong, April Halprin Wayland, and Esther Hershenhorn for conversation at Mercat a La Planxa then attended a wonderful dinner party at Dee’s Mandarin Restaurant hosted by Highlights Foundation where I had a chance to greet my friend Kent Brown.

Monday began with breakfast at 8:00 with Tori Bachman from IRA followed by meeting Laurie Edmondson at the Phoenix Learning Resources booth to help introduce our new DVD series and kit, LET’S WRITE THIS WEEK WITH DAVID HARRISON. (More about that later).

From 11:00 – 1:45 I participated in a symposium called “Using Poetry for Word Study, Fluency, and Instruction.” The other presenters were Tim Rasinski, Brod Bagert, and Alicia McCartney. I divided the afternoon into signings at Boyds Mills Press, Scholastic, and Phoenix Learning Resources.

At 5:30 I attended the Scholastic Authors’ Reception at the Cage Restaurant, which was splendid, as always, and then caught a cab to join my friends and hosts, Dona Rice, Conni Medina, and Sharon Coan, at the Teacher Created Materials dinner at Gene & Georgetti Steakhouse. What a great evening. However, during dinner I received a phone call that the manufacturing plant on my property in Springfield, which was formerly my firm, Glenstone Block Company, was on fire. Sandy went to the scene, which was blocked by six firetrucks and three squad cars and had a hard time getting close. She finally spoke with the fire marshal and learned that the fire had been set by someone. It took hours to bring it under control and the building is a total loss.

There was nothing I could do, of course, except grind my teeth. I haven’t been to the scene yet but yesterday’s and today’s papers show pictures and explain more about the situation. The original plant was built on that spot in 1945 by my dad and his partner. Lots of memories went up with the flames and smoke.

Later in the evening I left the Teacher Created Materials dinner and barely made it to the Poetry Olio held in the Hilton in time to present a couple of poems and enjoy hearing a few by other poets. I was supposed to meet Mary Jo Fresch for a nightcap but it had been a long day and we both decided to put off getting together until Tuesday.

Tuesday began with breakfast with Ruth Culham and then I spent the rest of the day signing at Boyds Mills Press, Phoenix Learning Resources, Zaner-Bloser, and back to Boyds Mills Press. Mary Jo and I managed to squeeze in a brief meeting about the book project we’re doing together. I finished there at 4:00 as the exhibit hall was closing for the day, grabbed a cab to the airport, and made it to my gate with a few minutes to spare. For some reason I napped in the cab going out.

That’s my report. It is always stimulating to attend IRA and see so many old friends. Every year I meet new ones too. I’m already looking forward to next time.

David

Tim Rasinski today

Hi everyone,

As promised, my summer Featured Guest for today is my friend and colleague, Dr. Timothy Rasinski from Kent State University. I asked for an update on his activities since his original post and here’s what he has to tell us. Thanks, Tim!

What’s New With Tim Rasinski

After doing a session with David Harrison, Brod Bagert and other scholars and poets at the IRA convention in Orlando on the use of poetry I am even more convinced of the power of poetry to teach reading, create enjoyment, and change lives. Lori Pierce, a recent doctoral student at the University of Toledo, reported that students doing repeated reading of poetry made greater gains in reading achievement and in motivation for reading than students who did repeated readings of other kinds of texts. Poetry is a natural for repeated reading.

Right now we are in the middle of doing our summer reading clinic at Kent State University. One expectation I have for every student who attends is to be able to leave everyday with the ability to read a text well. What sorts of texts can students learn to read well in a matter of a few readings (and then perform the text for their parents and others, and feel a sense of true accomplishment)? Poetry is the answer. We are doing summer poetry, patriotic poetry, and poetry that reflects the various themes students are studying. The very nature of poems makes them easy to learn and fun to recite.

Dr. Belinda Zimmerman recently finished a study of our reading clinic from 2009 in which students did repeated readings of poems using our fluency development lesson. We report that our first, second, and third grade students made gains in reading fluency (and comprehension) that ranged from 50% to 100+% of what would normally be expected of students in the five weeks of instruction given them.

One more thing – -as our students learn to read and recite poetry, they also start to write, practice and perform their own poems. Every year for the past several years students will submit their own favorite poems that they themselves wrote. We will collect the poets, type them into book form, and then, at the end of our clinic we will give each student a copy of the book of poems to which they contributed! To see the look on their faces when they see their names in print is priceless. It doesn’t get much better than that!

Wishing you all a great summer!

Tim

And now, here’s Tim’s original post on February 19, 2010.

1 What attracted you to the field of early childhood learning?

My first degree was in business. After serving in the military and a few years in the business world, I knew this wasn’t for me. At the same time, I come from a family of teachers and I have always enjoyed school and working with kids. So I decided to go back to school and get my teaching degree from the Univ of Nebraska.

2 What special interests have you pursued in your career as a leading researcher, reporter, and speaker?

As a teacher I was always interested in struggling readers… I went from a classroom teacher to an intervention teacher. While teaching I noticed that many of the kids seemed to have difficulty in reading fluency – -they had trouble just negotiating their way through the words in the text. At the same time I was into my masters program. I began to read articles on reading fluency that I had not seen before – -Dick Allington’s Fluency, The Neglected Goal of the Reading Program. I read this and other articles and it all began to fall into place for me. Reading Fluency is a key to children’s success in reading. And yet, fluency was being ignored in the classroom.

I went into my doctoral program and began to study fluency more deeply. My dissertation study exploring reading fluency won several awards. I found that fluency interventions could make a big difference in students’ reading lives. Since the late 1970s and early 80s I have been deeply involved in exploring this concept of reading fluency and how it can be taught in ways that students and teachers find authentic and engaging – the use of poetry and poetry reading is one way to do this I have found.

3 Why is research-based teaching important? What was wrong with the “old days” when teachers taught the way they thought best, sort of experience-based teaching?

Experience and intuition are great. I say that teachers are artists and they need to rely on their gut feelings about things. But teaching is also a science (that’s why teaching is so challenging – -it’s a science and an art) so we need to be able to provide empirical proof that what we do as artists has a positive impact on our students. I attend a lot of conferences and hear great ideas on how to teach children. But I often ask where can I find more about this approach and how it actually impacts students’ learning. More often than not I am told that the research doesn’t exist. Without some evidence or research base that an approach to teaching reading works, I have to be skeptical. Most of my research today is with teachers where we take what they do and try to determine if it has the positive effects that we are looking for. I think there needs to be more collaboration between college professors and teachers in the field to make this sort of authentic research happen.

4 What is a typical day/week/month/year like for Tim Rasinski? How many miles do you travel in a year and how many audiences do you address?

Last year I spoke to over a hundred audiences. I love meeting teachers and principals and learning what they are doing and how they are making schools better for children.

Normally when I am home, I try to get into the office around 7 am and for 2-3 hours I try to write. I find I write best early in the morning when and where there are few distractions. Then I work on email, paperwork, college committees, student advising etc. In the afternoon I prepare for class. I normally teach in the evenings – 430-700 pm or 7:20- 100pm. These are long days but I enjoy them immensely. I have no plans of retiring anytime soon.

5 Where does children’s literature enter the picture? How do you incorporate literature into your research, your philosophy, and your teaching?

I am a whole language teacher. At least I consider myself one. I am also an advocate of direct instruction in phonics and fluency instruction. I love literature for the sake of literature, but I also am always on the look out for ways that teachers can use authentic literature to teach these essential skills in reading.

6 Why do you like poetry as an effective teaching tool for reading fluency, vocabulary building, phonemic awareness, and comprehension?

Poetry (and songs) offers so much for teachers and students – and unfortunately they are often left behind when something new comes into the curriculum. Poems for children are usually short and are filled with rhythm and rhyme. This makes them easy for children to learn. Even struggling readers can find success in learning to read and perform poetry. The rhymes in poetry make them ideal for teaching phonemic awareness and for reinforcing word families that children need to learn and are part of phonics. Poems have embedded in them a strong sense of voice. This along with the rhythm and rhyme make them ideal for developing prosody, an essential element of fluency. Poetry is also meant to be performed and this means that students need to practice their poems repeatedly (rehearse). This rehearsal is an authentic form of repeated reading which is essential to building automaticity in word recognition. As you can see, poetry is an ideal text form for beginning reading and working with children who find reading difficult. Moreover, when children eventually perform their poems for an audience, they receive the applause and positive reinforcement that will build their confidence as readers. Eventually, I love to see children writing their own poetry, often emulating the work of David Harrison, Brod Bagert, Shel Silverstein, Sarah Moore, Jack Prelutsky, and the many wonderful poets who enrich our lives.

Tim, thanks again. To learn more about Tim Rasinski and his work, here are some links. http://www.timrasinski.com , http://www.timrasinski.com/?page=presentations , http://www.timrasinski.com/?page=products , and http://www.teachercreatedmaterials.com/reading/rasinski

Tim Rasinski tomorrow

ANNOUNCEMENT: My thanks to Kathy Popadics and other teachers and students from School #29 in Paterson, New Jersey for a fine time yesterday. It was my third morning of one-hour Skype sessions with students in three Paterson schools and I loved seeing the kids again. My thanks to Dennis Vroegindewey for getting me to Paterson as the Poet in Residence for the grant he obtained and to Adrian Cepero for his technical assistance in making the Skype sessions work smoothly.

Hi everyone,

I hope everyone is having a good summer. Thanks for coming by today. I’m pleased to say that my Featured Guest tomorrow is Tim Rasinski, well known authority on reading fluency. You met him here February 19, 2010 and it’s my pleasure to reintroduce him tomorrow. For now, here is the bio he sent last year. I know that much has happened in Tim’s busy world since then.

Timothy Rasinski is a professor of literacy education at Kent State University. He has written over 200 articles and has authored, co-authored or edited over 50 books or curriculum programs on reading education. He is author of the best selling book on reading fluency entitled The Fluent Reader, published by Scholastic, and co-author of the award winning fluency program called Fluency First, published by the Wright Group. The second edition of The Fluent Reader will be published in 2010. His scholarly interests include reading fluency and word study, reading in the elementary and middle grades, and readers who struggle. His research on reading has been cited by the National Reading Panel and has been published in journals such as Reading Research Quarterly, The Reading Teacher, Reading Psychology, and the Journal of Educational Research. Tim is currently writing the fluency chapter for Volume IV of the Handbook of Reading Research.

Tim recently served a three year term on the Board of Directors of the International Reading Association and from 1992 to 1999 he was co-editor of The Reading Teacher, the world’s most widely read journal of literacy education. He has also served as co-editor of the Journal of Literacy Research. Rasinski is past-president of the College Reading Association and he has won the A. B. Herr and Laureate Awards from the College Reading Association for his scholarly contributions to literacy education.

Prior to coming to Kent State Tim taught literacy education at the University of Georgia. He taught for several years as an elementary and middle school classroom and Title I teacher in Nebraska.

Be sure to join us tomorrow!
David

Partner poems and word from Nile Stanley

BULLETIN: Happy Birthday, Robin! I love you. Dad

BULLETIN: This in from our friend Nile Stanley: his poetry calendar for May. Thanks for sharing it, Nile.

The May Reading Calendar is a wonderful resource that is “just a click away” for teachers, librarians, parents, and children. Creator Nile Stanley has compiled a set of multimedia activities, hyperlinks to online lessons, games and videos that help children learn to read, to enjoy reading and to engage with the new literacies. Every day of each month contains an activity that children can do on their own, with siblings, or with guidance from a teacher or parent.

The May, 2011 calendar and previous months are available for free as a PDF file at http://www.keepandshare.com/doc/show.php?i=1270824&cat=1  To view a document click on its name in black.

If the sound is not on when you open the PDF, click the sound control in upper left hand corner and be sure your speaker volume is on.

Hi everyone,

Day in and day out the most popular post I’ve done is the one I’m re-posting here today. It seems that most people like the idea of poems that feature more than one voice. The book I did with Tim Rasinski and Gay Fawcett (both of whom you’ve met as Featured Guests on my blog) continues to do well and I frequently read my poems from it when I visit schools.

At the International Reading Association conference in Orlando this Sunday, May 8. I’ll be part of an all-day institute. My topic is, “Poems for Multiple Voices — Writing and Performing.” On Monday, Tim Rasinski and I will co-present a demonstration of reading partner poems from our book. Anyway, here’s the repeat post. By the way, I chose a different poem this time.

Our new book

Our new book

You may have heard Tim Rasinski speak if you’ve attended conferences where reading fluency was discussed. He’s a professor at Kent State University and is one of our leading authorities on the subject. I have a new book out with Tim and another expert on reading fluency, Gay Fawcett, of Kent State and other universities.

The book, published by Scholastic Teaching Strategies, is called PARTNER POEMS FOR BUILDING FLUENCY, GRADES 4-6. I co-wrote the introduction and created 40 original multiple-voice poems. Let me correct that. My friend Terry Bond, teacher and former high school curriculum coordinator, co-wrote one, and two others were inspired by my one-upmanship conversations with my young friend Ryan Brinkerhoff, who was ten or twelve at the time. The other 37 were all mine! The idea is that children improve reading skills, including fluency, by sharing aloud poems for two or more voices.

If you have an interest in such a book, it’s now on the market. Confusingly, Scholastic has another book with an almost identical name with poems by Bobbi Katz. I don’t mind if you get her book too!

Here’s an example from our book. If you haven’t tried writing a poem for two voices, give it a whirl. It’s a great way to talk to yourself!

BRUSSELS SPROUTS
2 voices

(child)
What’s that green thing?

(parent)
Brussels sprouts.

(child)
I don’t want no Brussels sprouts.

(parent)
Any.
Come on, try some Brussels sprouts.

(child)
I don’t want no Brussels sprouts!

(parent)
Any.
These are special Brussels sprouts.

(child)
I don’t want no Brussels sprouts!

(parent)
Any.
Just one taste of Brussels sprouts.

(child)
If I taste these Brussels sprouts,
then can I have something else?

(parent)
Sure!

(child)
Ugh!
I hate these Brussels sprouts!

(parent)
Here’s some yummy cottage cheese, pickled beets, cauliflower,
lima beans, and chicken liver.

(child)
Please pass the Brussels sprouts.
I don’t want no chicken liver.

(parent)
Any.

Poems for Two Voices

Hi Everyone,

If you are interested in a new writing challenge, here’s a good one.

Since I posted the book below on September 18, 2009, it has been viewed 972 times.

Our new book

Our new book

I often find that reciting poems for two or more voices is not just good for emerging readers, it’s fun for adults as well. I’ve been meaning to return to this subject and this seems like a good time.

So here’s the challenge. As a writer, composing a poem for more than one voice requires a different approach than the usual one. You need to see the subject as two people might. Think of it as a mini-production with actor one facing actor two (or three or four) as they discourse poetically about your chosen subject. I’ll give you two examples. The first one is a conversation found in THE MOUSE WAS OUT AT RECESS and is titled “Have It Your Own Way.”

(Isabelle)
Me and Sally are pals!

(Teacher)
Sally and I are pals.

(Isabelle)
I didn’t know you knew her!

(Teacher)
I don’t.

(Isabelle)
Then why did you say,
“Me and Sally are pals?”

(Teacher)
Sally and I are pals.

(Isabelle)
You said it again!
You said,
“Me and Sally are pals!”

(Teacher)
Sally and I are pals!

(Isabelle)
Have it your own way.
You and her are pals.
But I don’t believe it,
And Sally won’t neither!

The second poem comes from the book shown above that I co-authored with Tim Rasinski and Gay Fawcett. It’s a poem in which each of the two parties tries to outdo the other.

IT’S A LOLLITY POPITY DAY, 2 voices

(1st)
It’s a lollity popity day

(2nd)
It’s a lollity popity
hide-and-go-seekity day.

(1st)
It’s a lollity popity
hide-and-go-seektiy
read a good bookity day.

(2nd)
It’s a lollity popity
hide-and-go-seekity
read a good bookity
roll in the grassity day.

(1st)
It’s a lollity popity
hide-and-go-seekity
read a good bookity
roll in the grassity
talk with a friendity day.

(2nd)
It’s a lollity popity
hide-and-go-seektiy
read a good bookity
roll in the grassity
talk with a friendity
sit on a lapity day.

(1st)
It’s a lollity popity
hide-and-go-seekity
read a good bookity
roll in the grassity
talk with a friendity
sit on a lapity
play with your petity day.

(2nd)
It’s a lollity popity
hide-and-go-seektiy
read a good bookity
roll in the grassity
talk with a friendity
sit on a lapity
play with your petity
happy-go-luckity day.

(both)
Hooray!

I’m going to leave this post up for today and tomorrow to make sure that plenty of visitors see it. If you feel like trying your luck at writing a poem with two or more voices, go for it! And by all means share it with the rest of us. That’s why we have these convenient comment boxes below.

Good luck and have fun.

David