Hi everyone,
Last night I dreamed that I was listening to a 14-year-old virtuoso playing Gioachino Rossini’s William Tell Overture on the piano. That segued to memories of playing in my high school German Band. There were five of us — tuba, coronet, trombone, and two clarinets — all good musicians who played first chair in the school’s band and orchestra. We were hastily brought together one night by the Music Director to provide entertainment for a Parent/Teacher event. We were well received and went on to play a number of times over the ensuing years, replaced as we graduated one by one by the next generation.
Our original group played a variety of traditional German Band music such as “Beer Barrel Polka” and “Oom-Pah-Pah” and threw in some Dixieland (I loved “When the Saints Go Marching In”), but our favorite and most popular was the fourth movement of the William Tell Overture, probably best known as The Lone Ranger’s theme song.
Which brings me back to my point. Music and poetry are so intertwined that to practice one is to practice both. Poetry has feet, accents, rhythm, and meter (at least structured verse does) and music has stanzas, notes, accents, rhythm, and meter. Both bring together sounds that go together and one can accompany the other. Ask NILE STANLEY, ERIC ODE, JOSEPH BRUCHAC, RANDALL CHOWNING, and any number of other poet/musicians how writing poems improves musical ability and how composing music is a poetic endeavor.
If you or someone in your circle plays a musical instrument or sings (including in the shower), that person has a head start as a writer, of poetry in particular. I was involved in music (instrumental and vocal) for twelve years, from ages 10-22. Again and again I have been grateful for that experience. The music in my thoughts (and dreams) informs how I write.
