Hi everyone,
Garrison Keillor’s reports from Lake Woebegone are gorgeous examples of writing by association. One subject leads to another and that to another until the writer and reader find themselves miles from where they began until, in the hands of a master like Keillor, everyone winds up back home.
Association routinely occurs in our own conversations. We start to tell something to a friend — say, crows in the yard. We hardly finish the first sentence before the friend leaps in with a story that your subject brings to mind — perhaps, the nursery rhyme, “Four and twenty blackbirds baked in a pie.” The friend interrupts himself with a different story, inspired by association with the first. That often leads to another and another until the first speaker can no longer find a way to finish what he began. The subject is now about Julia Child’s kitchen in the Smithsonian. There’s no way to get back to crows unless you’re as gifted as a Keillor. That form of association can be annoying or entertaining, depending on your frame of mind.
Association can also be put to work by any writer who picks up a pen, taps his teeth with it, and ponders what to write about today. At workshops I sometimes ask writers (or students) to write down a word and list below it ten other words or subjects that the word brings to mind. Next, pick a word from the list of ten, use it to start a second list, and again jot down ten words or subjects that you associate with the second word. Not satisfied yet? Choose something from the second list and make a third one. When you read what you’ve placed on the third list, you may be surprised at how far you’ve drifted from the first word you chose. That’s association. It’s also now a list of thirty possible ideas to get you started on something to write. The whole exercise doesn’t take any longer than to get from crows in the yard to Julia Child’s kitchen. And like good stretch socks, the subjects can fit a lot of needs: a poem, a story, or maybe a whole book.